Paper in the Sun with Anne Covell

For the past four days, surrounded by the fields and vineyards of Edna Valley, a group of passionate artists dove into traditional Japanese paper making. Artist instructor Anne Covell provided fantastic insight into the ancient technique during our paper-making and bookbinding intensive by replicating each step she uses in her home studio practice. She started with a lesson on the process, followed by the glorious, messy, and tactile experience involving many vats of water, plenty of pulp, and much sunshine. The sound of birds chirping, sheets of handmade paper hanging to dry in the sun, and swirling ocean breeze set the perfect backdrop for this paper-making adventure.

Nagashizuki, a traditional Japanese paper-making technique, is celebrated for its intricate process and the quality of the paper. Originating from centuries of craftsmanship, this method is partially characterized by its communal spirit and direct engagement with natural materials.

The most distinctive aspect of Nagashizuki is the scooping process. A specialized tool called a “sugeta,” which consists of a bamboo frame and a fine screen, is used to gather the pulp from the vat. The scooper is dipped into the pulp mixture and then drawn out in a single motion, allowing a thin layer of pulp to adhere to the screen. The technique of scooping and forming the sheets requires skill and precision, as the angle and speed of the scooping determine the uniformity and thickness of the paper sheets. The delicate art of slowing down to practice a traditional craft produced exquisite and durable washi, which was then carefully decorated and hand-bound into books, fueling a communal spirit throughout the workshop and over many lively, delicious meals and genuine artist connections.